Суд над Бхагавад-гитой / Attempt to ban Bhagavad-gita

H

Hasya-rasa—mellow of uproarious laughing.

Hari-dasa-varya—the best of Lord Hari’s devotees.





I

Ishvara-bhava—the mood of being a controller.





J

Jaiva-dharma—the eternal function of the jiva.

Jata-rati—one in whom rati has awakened.


Jata-ruci—one in whom ruci has awakened.





K

Kaitava-bhaktas—cheating “devotees.”

Kajjala—black eyeliner.

Kali-cela—disciple of Kali-yuga’s influences.

Kama-yantra-tilaka—tilaka in the shape of Cupid’s mystic
symbol, having a small dot of red kunkuma in the center
surrounded by eight short candana lotus petals and encircled
by a thin black line of musk.

Kanistha-bhakta (Kanistha-adhikari)—a devotee of the
lowest order, generally under the sway of material influences
and therefore possessed of pliable faith.

Karma-yoga—linking with Godhead through either the sacrifice
of one’s actions or the sacrifice of the fruits of actions, either
with or without a desire to enjoy the results of sacrifice.

Kasturi—musk.

Kevala-madhurya-maya mantra—a mantra purely possessed
of the unadulterated sweetest loving characteristics exclusively
attributable to the realm of Vraja.

Kevala-madhurya-premika—possessed of pure prema based
on Krishna’s sweetness (uncontaminated by knowledge of the
Lord’s grandeur).

Kila-kincita—an ecstatic mood symptomatizing great internal
jubilation upon meeting Krishna, wherein a heroine exhibits a
bouquet of concurrent natural transcendental expressions like
pride, intense desire, envy, fear, and anger, along with
simultaneous laughing and crying, knitted eyebrows, shrinking
away, horripilation, and other such supramundane
exhilarations.

Kinkari—maidservant.

KinkiAi—small bells.

Kirtana-karis—kirtana performers.

Kishora—an adolescent boy between ten and fifteen years of
age.


Kishori-gopi—an adolescent gopi between ten and fifteen years
of age.

Krita-puAya-punjah—having performed many lifetimes of
pious activities (see Bhagavatam 10.12.11).

Kuttamita—when a heroine puts on an outward show of anger,
although inwardly pleased by her gallant’s bold advances.



L

Labha, puja, and pratistha—profit, adoration, and distinction.

Lila-vilasa—transcendental foreplay.

Lobha-maya-shraddha—faith (shraddha) possessed of greed
(lobha) to attain the moods of the Vrajavasis.

Lobha-maya-shraddhavan jana—persons endowed with
lobha-maya-shraddha.





M

Madhyama-adhikari—an intermediate practicing devotee.

Maha-bhagavata—a swan-like devotee of the highest order.

Maha-rasa—the rasa dance in which all the different kinds of
gopis are allowed to participate.

Mahima-jnana-yukta-prema—prema accompanied by
knowledge of the Lord’s grandeur.

Mang-tika—an ornament placed upon a lady’s hair-part, often
flanked with decorative chains attached to the hair on both
sides of her head.

‘Mukhya’-vraja-janas—the preeminent eternal Vrajavasi
associates of Lord Krishna.

Mukta-carita-kathamrita—the nectar of talks about the
pastimes in which Krishna grew pearl trees.

Mukti-kami—one possessed of desire for liberation.





N

Nagara—amorous hero.

Nagara-sankirtana—sankirtana performed in the public places
of a village or town.


Nija-abhista-bhava—one’s own desired supramundane mood -
maya—absorption in, -sambandhi—connecting to, -anukula—
favorable for, -aviruddha—not against, -viruddha—against.

Nikunja-lilas—intimate pastimes in secluded forest groves.

Nikunja-sevas—services to the nikunja-lilas.

Niskincana bhajananandis—devotees without any material
possessions who take pleasure in performing personal
devotional service.

Nitya-dharma—the ultimate intrinsic (eternal) nature of the
soul.

Nitya-lilas—eternal pastimes of the Lord.

Nitya-muktavatara—an emancipated sadhana-siddha or kripa-
siddha who returns from the spiritual world to the material
world for preaching on the Lord’s behest.

Nitya-parikara—eternal entourage.

Nitya-siddha avatara—an eternally perfect devotee who
descends from the spiritual world to assist in the Lord’s mission.

Nitya-sukriti—indelible transcendental piety.





P

Palya-dasi—a maidservant who is always maintained and
protected by her gopi mistress.

Panca-samskara—the five purificatory rituals.

Para bhakti—real, highly evolved spontaneous devotion.

Para-duhkha-duhkhi—one who is distressed to know of the
distress of others.

Paraka—the spiritual potency that bestows Krishna-prema and
situates one as an eternal resident of the dhama.

Parakiya-bhava—a gopi’s mood of unfortunately belonging to
another (her lawful husband) while remaining attached to Shri
Krishna (the supreme husband), her paramour.

Paramahamsa-nirjana-bhajananandis—greatly elevated
swan-like devotees who avoid the materialistic masses in order
to deeply absorb themselves in undisturbed, concentrated
internal worship of Radha and Krishna’s eightfold daily
pastimes.


Paramarthika—related to the supreme goal.

Para-upakara—doing good for others.

Prakata-lilas—pastimes of the Lord manifested on earth.

Prakrita-bhaktas—materialistic devotees.

PraAa-sakhi—a girlfriend as dear to Radharani as Her own life
(one of the five kinds of sakhis described in Ujjvala-nilamaAi,
particularly characterized by her greater affection for Radharani
than for Krishna).

Prasannatma—joyful soul.

Prema-keli—love play.

Premamrita—the nectar of prema.

Prema-rasa-maya-nama-sankirtana—nama-sankirtana
endowed with the taste of prema.

Prema-ruruksu—those who earnestly strive for ascending to
the region of prema.

Prema-seva—loving service.

Premika—possessed of prema.

Priti-bhajana—loving devotional service.

Priya-narma-sakha—a younger, most confidential boyfriend of
Krishna.

Priyatama—most dear beloved one.

Purusa-bhusaAa—male ornament.

Purva-raga—preliminary attraction (with the hope of meeting
the beloved).








R

Raga-margabhidheya—the activities to be performed on the
path of spontaneous devotional service.

Raga-marganugamana-prema-dharma—the religion of love
for Vrajendra-nandana Krishna following the path of natural
spontaneous attraction.

Raga-maya-maha-mantra—a mantra that awakens natural
attraction (raga) following in the wake of the Vraja-vasis’
spontaneous loving sentiments toward Krishna.

Raga-mayi—endowed with spontaneous attraction.

Raganuga-bhava—bhava achieved through the process of
raganuga-bhakti.

Ragatmika—one whose atma is imbued with raga – complete,
overwhelming attraction with an indelible thirst to selflessly
serve Lord Krishna exclusively for His and His devotees’
absolute pleasure. A characteristic ontological feature of the
original counterpart eternal associates of Krishna as well as of
those who, as emancipated jivas, attain a similar status in the
association of Krishna’s eternal associates.

Rasa-vicara—analysis of rasa.

Rasika—one who has advanced to the level of relishing rasa.

Raso vai sah—an emporium of varieties of flowing mellows.

Rupanuga-dharma—the religion of the followers of Rupa
Gosvami.

Rupanuga-sampradaya—the school of Gaudiya Vaisnavism
following and propagating the teachings of Shrila Rupa Gosvami.

Rupa-sanatananuga—follower of Rupa Gosvami and Sanatana
Gosvami.